Beautiful color begins with faithful skin tones. We build looks around accurate complexion and consistent white balance across cameras and locations. From there we shape contrast and hue to support mood without drifting into trends that will date the film.
Mixed lighting is addressed on set with gels and in post with careful corrections so environments feel cohesive. We avoid heavy handed looks unless the story calls for them, preferring subtlety that keeps attention on people and place.
Good color grading disappears. You notice the moment, not the math behind it, and the film remains timeless across screens.
